The back cover gives the blurb of what to expect inside. I’m really excited. It’s the best thing I’ve ever written by far! Available very soon.


When I decided to write a novel, I had no idea it would take so damn long to get all those pesky ducks quacking from the same hymn sheet. I started in earnest in November 2012 and now we’re in July 2016. The Ferret Files is due for release as an e-book the first week of August 2016.
So what have I learned over this time?
to talk about your work and practice makes perfect. So bat some ideas about, see what kind of feedback you get. Strangers are often far more honest than those who are close to you.That’s it for today. Now, where did I put my pint of Fursty Ferret?
Thanks to Richard Argent over at ArgentArt, we now have a cover. I’m very pleased with the result, which took a lot of work to get right. It’s not what I originally had in mind, but that simply didn’t work in the real world – and besides, this is much more fun. Richard took inspiration from Will Eisner’s work on ‘The Spirit’ comic. The composition is spot-on, and there’s a lot going on, hidden in plain sight which relates to the novel. You’ll have a great time decoding it all, I’m sure.
For now though, the big question is what’s in the box?
You’ll have to read The Ferret Files to find out. Not long now, honest. I know I’ve said that a few times over the last six months, but this time it’s true. I had a misfire with a copy editor who didn’t perform as expected, so had to draft in a replacement, who did a much better job. However, it’s cost me two months in wasted time to find another editor and work through all the comments.
Fingers crossed – I’m aiming to be ready for the first week of July.
Well, I finally finished editing Ferret to my satisfaction and during the read through noticed that the illustrations are not as well spaced as they might be. Cue a mad panic and a half dozen vignettes, which I must say have turned out to be rather splendid. So much so, I thought I’d post a couple for your delectation.
This is the fourth and final illustration for the Ferret Files, as drawn by my good pal Richard Argent, over at Argent Art.
It’s been a long old slog, I thought it might take 9 months to write the novel – we’re now at 3.5 years! Admittedly, the actual time I’ve been on the project full time is 8 months – about to take 3 weeks off and finally nail the sucker. Then comes the scary bit…
Here’s a sneak peek at the second illustration for the Ferret Files, courtesy of my good pal Richard Argent over at www.argentart.co.uk.
We were working on this scene, busily rewatching old Hammer Horror films when the sad news of Sir Christopher Lee’s death was announced. I suspect that Ferret & Emily may well be making their way into the world of merchandising…
Here’s the final Ferret illustration, for now, from my good pal Richard Argent over at Argent Art.
When I set out to write, I wanted to create the novel I’d been waiting 40 odd years to read. At some point, I figured, someone would combine the paranormal, an extinct Nazi drugs program, City of London banksters and financial malfeasance into a coherent story. But no. Still waiting. Lob in a healthy dose of humor, some consultant doublespeak and several years of my own experiences working for the Government on programmes I can’t talk about, and you’ve got the Ferret Files.
Ultimately, I’m no different to anyone else. If I want to read this story, then you do too. And you will. Very soon…
It’s been a while since I finished the first draft of the Ferret Files and started on the second. To be honest, I really had no idea how long it might take, having not written a full length novel before. In the background, I’ve been working with my good pal Richard Argent over at Argent Art to put some Ferret visuals together (Richard is a very talented artist, please check his other stuff out). Firstly, I have a funky new Avatar which I’m very pleased with:
I should point out that Ferret the Detecting Consultant is a real person, not a cartoon character. He runs a detective agency, this is his logo and it’s what appears on his business cards. Very kindly, he’s agreed to lend it to me, to help promote his story.
Over the next few days I’ll publish some of Richard’s other Ferret illustrations – they’re very good. He’s currently working on a half dozen sketches, drawn in his usual style, as illustrations for the finished novel. I can’t wait to see key scenes of London, populated with my characters, it’s going to rock big time.
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