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Nearly There

20 Jul

DucksWhen I decided to write a novel, I had no idea it would take so damn long to get all those pesky ducks quacking from the same hymn sheet.  I started in earnest in November 2012 and now we’re in July 2016.  The Ferret Files is due for release as an e-book the first week of August 2016.

So what have I learned over this time?

  1. Don’t take ‘no’ for an answer.  Many moons ago, I had a meeting with Micheal Jacob, who was head of the BBC’s commissioning arm for new shows ( I was trying to get a sitcom off the ground, with a bunch of pals) and he asked me in the very first pitching workshop we did what it was I really wanted to get made? Well, I thought about it, and thought about it some more. He looked at me knowingly, and said: “It’s not this show, is it?” And he was right. His advice was to find an idea that I truly believed in, then refuse to take ‘no’ for an answer. Whatever it took, believe in it, live it and make it happen.  Ferret is it. When I decided to set-to writing, I spent some time going through all my old notes dating back 15 years and rediscovered the fabulous furry Ferret.  There were a dozen one-off stories and to begin with, I tried to weave them all into one book.  Clue: it didn’t work.  So I took the best story I had and made it into the first novel.
  2. I can’t write and do a full time job.  Tried it, it doesn’t work.  The only way for me to write anything other than magazine articles, reports and short stories is to go at it full-tilt, full time.  3 years and 8 months sounds like a long time, but that’s elapsed time rather than time actually spent on the project. Broken down, Ferret has taken 42 weeks to get from idea to finished item, which I think is pretty good for a first novel. Of course, I’ve also broken the cardinal rule of being a first time author – don’t give up the day job…
  3. Get a support network.  Early on, it was Twitter and WordPress.  Then, when the manuscript had progressed sufficiently, friends and family, not forgetting the artist of the piece, Richard Argent. There was a point when I was hiding behind the illustrations, as in asking everyone what they thought of pictures rather than the text. Every writer goes through periods of self-loathing and hating the novel, it’s part of the creative process. Miraculously, whenever I was having a down period, a picture would appear, either in draft or completed form.  Knowing that someone else gets the characters was really important.  I can’t thank Richard enough for those lifts, especially as he didn’t even know I needed them.
  4. Do it for the love of Art, not the $$$. Enjoy what you do and make your finished work an expression of you. If I’d wanted to bring Ferret in cheap, I could have lost the artwork. But, I wanted to do something unique. Personally, I think the finished novel is better with the pictures – feedback will tell.  One change I made in the final draft, after talking it over a lot, was to remove the names of celebrities and replace them with text such as: ‘a well known English footballer and the ex-popstar missus’.  It’s a detective novel, go work it out. If you’re still stumped, go look at the illustrations. Russell Brand is brilliant.
  5. Find a good coffee shop. Not the Amsterdam type of coffee shop, somewhere where you can take your laptop, have a decent cup of coffee and experience life.  Remove those headphones, and watch and listen. Writing is a solitary occupation, and when you get blocked-up no amount of internal dialogue will unblock you.  It has to come from outside. Most of the situations and characters I create as an author are based on real life scenarios, either things I’ve experienced or stories people have told me. Occasionally, I borrow stories I overhear. Sometimes I borrow people. A coffee shop is a good place to start. If anyone asks you what you’re doing, tell them. At some point, you’re going to have Ferret2to talk about your work and practice makes perfect. So bat some ideas about, see what kind of feedback you get. Strangers are often far more honest than those who are close to you.

That’s it for today.  Now, where did I put my pint of Fursty Ferret?

 

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What’s in the Box?

18 Jun

The Ferret Files

Thanks to Richard Argent over at ArgentArt, we now have a cover.  I’m very pleased with the result, which took a lot of work to get right.  It’s not what I originally had in mind, but that simply didn’t work in the real world – and besides, this is much more fun.  Richard took inspiration from Will Eisner’s work on ‘The Spirit’ comic.  The composition is spot-on, and there’s a lot going on, hidden in plain sight which relates to the novel.  You’ll have a great time decoding it all, I’m sure.

For now though, the big question is what’s in the box?

You’ll have to read The Ferret Files to find out.  Not long now, honest.  I know I’ve said that a few times over the last six months, but this time it’s true.  I had a misfire with a copy editor who didn’t perform as expected, so had to draft in a replacement, who did a much better job.  However, it’s cost me two months in wasted time to find another editor and work through all the comments.

Fingers crossed – I’m aiming to be ready for the first week of July.

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Crazy Vignettes

11 Mar

Well, I finally finished editing Ferret to my satisfaction and during the read through noticed that the illustrations are not as well spaced as they might be.  Cue a mad panic and a half dozen vignettes, which I must say have turned out to be rather splendid.  So much so, I thought I’d post a couple for your delectation.

Cyrano in flight - cropped

One of those ‘oh, oh’ moments…

 

Centurion - cropped

Tristan goes bonkers…

Artwork Complete

5 Feb

This is the fourth and final illustration for the Ferret Files, as drawn by my good pal Richard Argent, over at Argent Art.

It’s been a long old slog, I thought it might take 9 months to write the novel – we’re now at 3.5 years!  Admittedly, the actual time I’ve been on the project full time is 8 months – about to take 3 weeks off and finally nail the sucker.  Then comes the scary bit…

Balloon Flight

Ferret goes to Highgate Cemetery

17 Jun

Here’s a sneak peek at the second illustration for the Ferret Files, courtesy of my good pal Richard Argent over at www.argentart.co.uk.

Cemetery scene

We were working on this scene, busily rewatching old Hammer Horror films when the sad news of Sir Christopher Lee’s death was announced.  I suspect that Ferret & Emily may well be making their way into the world of merchandising…

 

Spooky Ferret

28 Jan

Here’s the final Ferret illustration, for now, from my good pal Richard Argent over at Argent Art.

Spooky Ferret

When I set out to write, I wanted to create the novel I’d been waiting 40 odd years to read.  At some point, I figured, someone would combine the paranormal, an extinct Nazi drugs program, City of London banksters and financial malfeasance into a coherent story.  But no.  Still waiting.  Lob in a healthy dose of humor, some consultant doublespeak and several years of my own experiences working for the Government on programmes I can’t talk about, and you’ve got the Ferret Files.

Ultimately, I’m no different to anyone else.  If I want to read this story, then you do too.  And you will.  Very soon…

A Bit of Friday Fun

23 Jan

It’s been a while since I finished the first draft of the Ferret Files and started on the second.  To be honest, I really had no idea how long it might take, having not written a full length novel before.  In the background, I’ve been working with my good pal Richard Argent over at Argent Art to put some Ferret visuals together (Richard is a very talented artist, please check his other stuff out).  Firstly, I have a funky new Avatar which I’m very pleased with:

Ferret in London

Ferret in London

 

I should point out that Ferret the Detecting Consultant is a real person, not a cartoon character.  He runs a detective agency, this is his logo and it’s what appears on his business cards.  Very kindly, he’s agreed to lend it to me, to help promote his story.

Over the next few days I’ll publish some of Richard’s other Ferret illustrations – they’re very good.  He’s currently working on a half dozen sketches, drawn in his usual style, as illustrations for the finished novel.  I can’t wait to see key scenes of London, populated with my characters, it’s going to rock big time.

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