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It’s a Wrap

8 Jul
Ferret in London

Ferret in London

Thirty months ago I set out to write a novel, not really having a clear idea of where to begin.  Being the sort of chap who learns best by doing, I threw myself headfirst into the task of producing a framework with major plot points.  It took six weeks to create the novel’s back story and the character arcs.  The writing commenced shortly afterwards and I proceeded at pace, adhering assiduously to the plan.  Two months in, I published some excerpts to this blog and after considering the feedback, realised that what I’d proposed was: a) far too long for a first book; and b) was not going to fly in its current form.

Rather than soldier on, I changed track, rethought the plot and cut the size down, turning one book into two.  In the process, I was forced to edit out two of my favourite scenes.  That really hurt.

The first draft took nine months nearly full time.  I spent roughly 4 days a week, 8 hours a day writing, and 2 days a week reading advice columns, character hints and other writer’s blogs.  All very useful stuff and I urge anyone who’s struggling with a first draft to do the same.  The ending was all a bit rushed, I needed to get it finished so I could go back to work.  So much was missing, so many loose ends untied.  That was June 2013.

Steady, cowboy

Steady, cowboy

Two years later and the second draft proper is finished, with the ending now complete.  One of the advice columns I read – I can’t remember who said it, or I’d post a link – but paraphrased it goes like this: think of yourself not as an author but a pilot.  The audience has climbed aboard your plane, participated in the take off, flown the flight.  If you’ve done the catering right, they’re all still aboard (apart from the ones who freaked and parachuted out early on).  Now, they’re trusting you the pilot to land the effing plane, so you better not disappoint.  In the case of Ferret, the plane has an outbreak of snakes, there’s a pair of armed terrorists aboard, food poisoning has incapacitated the flight crew, the landing gear is jammed and there’s a storm directly ahead.  Oh, lordy…

Truth be told, it’s the most fun I’ve had in years.  Well, since IBM declared me persona non grata for producing a series of films, with the participation of their top brass, which supposed the firm was run like the mafia.  They terminated my contract and tried to impound and incinerate every one of the DVDs.  Fortunately, they failed.  Anyone who know me knows that every once in a while I have to create some noise and cause trouble.  It’s a genetic trait – I blame my father for instilling in his children a healthy disrespect for the establishment and their organs of justice.  Company newsletters were my thing for a while.  Three times I went too far for the liking of management, collecting one written and one verbal warning.  Fidelity Investments took great exception to a piece about tattooing barcodes on the back of their employee’s necks and checking them in and out with a barcode reader, for security purposes.  Shortly after that I moved on to short stories published in various magazines, regarding working practices in IT, with names changed to protect the guilty.  The guilty may not have spotted themselves, but their co-workers did, which forced me to switch to a series of pen names.

All in the Edit

All in the Edit

Ferret ups the ante considerably.

Whilst it is a work of fiction, it takes many real life experiences garnered from hanging about with consultants, working in high finance and on confidential government projects.  I’ve not set out to spill any secrets, merely write a tale of how these organisations behave under the covers.  Believe me, this is a full-on cage rattler – lord knows, I’ve taken enough time to get there.

I’m now commencing the final edit, which I’m really looking forward to.  I know from making movies, that the editing studio is where those six hours of footage become 5 minutes of freaky fun.  Hard work looms, but I can’t wait to see what comes out the other end.

 

Ferret goes to Highgate Cemetery

17 Jun

Here’s a sneak peek at the second illustration for the Ferret Files, courtesy of my good pal Richard Argent over at www.argentart.co.uk.

Cemetery scene

We were working on this scene, busily rewatching old Hammer Horror films when the sad news of Sir Christopher Lee’s death was announced.  I suspect that Ferret & Emily may well be making their way into the world of merchandising…

 

In Memory of Christopher Lee

12 Jun

AuroraMany years ago when I was but a lad and there were only three channels on TV, Friday night changed forever.  My dad, being a pioneer of all things media related purchased a color television, with the result that the old black and white set found its way into the bedroom I shared with my brother.  It turned out to be one of those just in time moments.  I’d been constructing and painting model kits for a few years, and had moved onto a range by Aurora, which were based on the monster movies of the day.  Dracula and the Mummy had turned up in my stocking the previous Christmas; my brother got Frankenstein and the Wolf Man.   Having never seen the movies, we made up all sorts of stories about our monsters, imaging what they got up to.  Vampires in particular scared me senseless, I was petrified of them.  I used to watch a lot of Doctor Who, he was my go-to hero of the day.  I tried to imagine how the Doctor might deal with Count Dracula, concluding that even a sonic screwdriver was no match for the might of the pointy teeth!

B&W TVIt was much to my surprise/shock/horror then, when one of the three channels announced they were going to start a season of Hammer Horror films on a Friday night, beginning with the classic Dracula.  My brother couldn’t wait.  For me, it was a terrifying countdown to a showdown with my horror nemesis, the Prince of the neck-suckers himself.  The tension became unbearable.  Even my parents knew that something was up, because if there was one thing they found absolutely impossible it was getting two young lads to go to bed on a Friday night, so they could get up to a bit of ‘parent stuff’.  That Friday night we were well behaved and ready for bed early.  It was unheard of.  In preparation, I borrowed a cross from my gran – I’d learned from a school mate that vampires don’t like Jesus.  My brother being more of a pragmatist borrowed a wooden tent peg from the family tent set.  He too had heard stories about vampires, and was determined to deal with Drac in his own way, should the pesky blighter try anything window related while the film was on.

Dracula - Christopher Lee_12v2From the opening score onwards I was under the sheets, hiding behind a pillow. Within fifteen minutes it had all gone horribly wrong for Jonathan Harker, who been warned to flee, then attacked and imprisoned by the most evil vampire of them all, portrayed horrifically by the magnificent Christopher Lee.  Enter our saviour in the form of Van Helsing, played by Peter Cushing.  Peter had played Doctor Who in a couple of made for TV movies, and this wasn’t lost on me.  Not quite the right Doctor, but the Doctor nonetheless had come to the rescue and with the aid of a curtain and the rising sun, eventually defeated the evil one.  Over the next few weeks, we watched ‘Brides of Dracula’, ‘Dracula Price of Darkness’, ‘Dracula has Risen from the Grave’, to name but a few.  The double act of Lee and Cushing to me as a kid was as perfect as Sooty & Sweep, Spocj & Kirk or Bill and Ben.  The perfect horror duo played tag-team with our hopes and fears, frightening the jim-jams offa me, whilst also instilling a love of the horror genre that persists to this day.

It’s with great sadness that I heard of the passing of the Prince of the neck-suckers.  Part of me wants to believe that given enough virgin’s blood, he’ll be back.  That’s certainly the way it ought to be.  For now though, I’m going to make a point of rewatching ‘Dracula’ this Friday night, and reliving old memories.

On a Ferret related footnote, I’ve been working with my pal Richard Argent on the first illustration for the novel, which is set in Highgate Cemetery West, a location used often by the Hammer Horror film crew.  The whole Hammer Horror genre has been in my thoughts a lot lately, as we’ve complied a list of all the monsters we want to fit in the illustration.   Hence my reasons for penning a tribute to a guy I didn’t get to meet, who was nevertheless influential in converting me to Hammer Horror and a film catalogue we all know and love.

RIP Christopher Lee.

One of my great guiding lights.

 

Hurrah for Consultants

1 Jun

Firstly, in order to remove any confusion, the consultants referred to in the title of this piece are of the Management variety, and not their more respectable surgical cousins.  I’m sure they both share many characteristics – that’s what the comments section is for.

I’ve spent many years working in corporates and the echelons of government, both as a consultant and an employer of consultants, so when I say that the chief characteristic of a great consultant is the ability to charm your pants off, you better believe it.  You know you’ve met a mediocre or poor consultant when at the end of a meeting you still have your pants fastened firmly around your waist.  The great consultant leaves with two pairs of trousers, and you’re so befuddled you don’t even realise until you get home that you rode the tube in socks and underwear.

smileWith great charm comes a great smile.  It’s that smile that acts as an anchor to the feelings you had during the first ever meeting with your new consultant chum, so much so that as soon as you see them, you take your own pants off and hand them over, along with your jacket and wallet.  With a wink, the great consultant hands you back your tube pass.  The mediocre consultant, meanwhile, is still trying to figure out how the hell the really good guy has a different suit for every day of the month.

Great consultants need great hair.  This is more a guideline than a rule, as it’s possible to make it as a baldie, but here’s the inside rip: you have to have a really nice shaped head.  One consultant pal of mine had lost a lot of hair, and if he let it grow even for a couple of days, he became invisible in a crowd.  Shaved right down, he had the IT factor in bunches.  His trick was not so much the collecting of pants, as the collecting of bras and frillies, although truth be told he was so smooth, he undoubtedly had a wardrobe full of client’s pants too.

A great consultant dresses the part.  Not over-the-top $10,000 suits like you find in banking circles, all that does is serve to alienate them from the average client .  A great consultant working in media dresses down, wearing smart casual.  The same great consultant working in advertising wears a nice fashionable suit.  The great consultant working in banking comes home with three of four $10,000 suits on their first day in the job, setting them up for the remainder of the week.

Finally, like all consultants, a great consultant speaks a proprietary language comprised of grandiose, highfaluting technical and business terms that sound utterly believable when they purr them out, but somehow manage to turn into utter twaddle when you try to repeat them in the lunch queue.  The ability to utter choice phrases as though your very pants depend on them is a confidence thing, something the mediocre consultant can’t grasp and mere mortals swoon over.

tubeI can’t claim to be a great consultant myself, on the grounds that I’m still buying my own trousers after twenty years.  But I am good at giving solid advice.  FYI – the type of advice not to give is: ‘your dress will look great on me’, even if it’s the truth.  During one charm offensive I did once swap clothes with a female client in an office with the shutters down, but that led to all sorts of horrible complications when she left to get coffee and didn’t come back for an hour.  She went on to join a top consultancy by the way, and still has my suit to this day.  I call her occasionally and ask for it back.  She tells me to pop over, which I tried the once.  Kindly, she let me keep my tube pass.

Anyway, the point of this article is to say hurrah for consultants.  Love them or hate them, the world would be a much more boring place without them.  So much so, that I’ve taken all the great consultants I’ve ever met and rolled them up into one character called Ferret.  A wayward consultant who’s great at his job but is gagging to become a detective.  Let’s call him a detecting consultant.  He has a wardrobe full of pants and a collection of frillies.  Nothing can possibly go wrong for him.  That is, until the day he loses his charm…

ferret-files-cover-sml

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Spooky Ferret

28 Jan

Here’s the final Ferret illustration, for now, from my good pal Richard Argent over at Argent Art.

Spooky Ferret

When I set out to write, I wanted to create the novel I’d been waiting 40 odd years to read.  At some point, I figured, someone would combine the paranormal, an extinct Nazi drugs program, City of London banksters and financial malfeasance into a coherent story.  But no.  Still waiting.  Lob in a healthy dose of humor, some consultant doublespeak and several years of my own experiences working for the Government on programmes I can’t talk about, and you’ve got the Ferret Files.

Ultimately, I’m no different to anyone else.  If I want to read this story, then you do too.  And you will.  Very soon…

A Bit of Friday Fun

23 Jan

It’s been a while since I finished the first draft of the Ferret Files and started on the second.  To be honest, I really had no idea how long it might take, having not written a full length novel before.  In the background, I’ve been working with my good pal Richard Argent over at Argent Art to put some Ferret visuals together (Richard is a very talented artist, please check his other stuff out).  Firstly, I have a funky new Avatar which I’m very pleased with:

Ferret in London

Ferret in London

 

I should point out that Ferret the Detecting Consultant is a real person, not a cartoon character.  He runs a detective agency, this is his logo and it’s what appears on his business cards.  Very kindly, he’s agreed to lend it to me, to help promote his story.

Over the next few days I’ll publish some of Richard’s other Ferret illustrations – they’re very good.  He’s currently working on a half dozen sketches, drawn in his usual style, as illustrations for the finished novel.  I can’t wait to see key scenes of London, populated with my characters, it’s going to rock big time.

If your BLOG was a comic what MIGHT it look LIKE?

3 Feb

I was messing about on the web the other day when I chanced to come across a site called Pulp-o-MIZER, which threatened, with a bit of my time, to turn my idea into a classic comic book cover.  So here goes with The Ferret Files:

Pulp-O-Mizer_Ferret(2)

Pulp-o-Mizer can be found here: http://thrilling-tales.webomator.com/derange-o-lab/pulp-o-mizer/pulp-o-mizer.html

Go have some fun and please – mail me your art!

The Morality of Super Powers

25 Jan

Super Powers – wah hay!

Here’s a question for you: if you had a super power that allowed you to influence the outcome of situations in your favor, without other people knowing, would you do so?

Secondly, if you had the opportunity to use your power to create a personal fortune, with the intention of having a good time, would you still do so?

This is the central dilemma facing the hero in the Ferret Files.  He’s let me know in no uncertain terms that he doesn’t want to give up the booze & cocaine lifestyle…

I look forward to reading your replies

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